Showing posts with label Kathryn Meyer Griffith. Show all posts
Showing posts with label Kathryn Meyer Griffith. Show all posts

12 July 2013

Book Review: Witches by Kathryn Meyer Griffith

WitchesWitches by Kathryn Meyer Griffith
My rating: 5 of 5 stars

Amanda is a powerful white witch and a good-hearted woman who has lost the love of her life. She struggles with her grief even as a black witch, Satan’s favorite, plots against her. The black witch has her eyes on Amanda and her evil plan can change history and doom everyone. The first part of the book is Amanda’s back story, who she was and how she came to be where she was.

I loved the vividly drawn scenes be it at Amanda’s place, Jessie’s, or Rachel’s. I chose these three places because they are either separated by distance or time (you’ll know what I mean when you read it).
I wish there was more of Amadeus and Tibby, even a scene with both in it. That would've been hilarious.
Witches doesn’t have the trap most books fall into, the repeated self-doubting questions. On the contrary, it possesses a good balance that serves to remind us of Amanda’s loss or reason for happiness without rubbing it in.
The nifty ending was the perfect wrap-up.
This book is worth the time and money to read, I strongly recommend it.

View all my reviews

05 February 2013

The Story of Scraps of Paper by Kathryn Meyer Griffith

Author Kathryn Meyer Griffith is with us today to share the backstory of her latest release, Scraps of Paper.
****


I’ve been writing for over forty-one years and have gone through a lot of frustrating or downright infuriating situations with publishers and editors.  Since 1981 I’ve had eight of them. I’ve suffered 4% royalties, dreadful covers, bad editing and shoddy proof-reading, confusing statements, late royalty payments (or nonexistent ones) and other near-criminal acts committed against me by publishers and editors I’d so naively put my trust into over the years. Now days I like to look back at those occasions, write about them; smile or even laugh over them, though they weren’t so funny when they were happening. This is one of those smiling times…because the conception, writing, publishing and, finally, self-publishing of my murder mystery Scraps of Paper has had such a long vexing journey.
On January 15, 2013 I self-published it as an eBook, for the first time, on Amazon Kindle Direct, after waiting ten long years as it languished beneath a terribly unfair hardback contract with Avalon Books that had a sell-off limit of 3,500 hardcopies. Ten years where they claimed it barely sold (no joke…their asking price was ridiculously high at $26.00) and that it didn’t sell one copy in the last two years of its contract–though the book was on sale everywhere on the Internet. I never received one royalty statement and had to beg in yearly emails to be told how many copies had sold that year. Of course, since the totals never got near the 3,500, , they said, I would get no royalty statements. And I never did. Not one. Ever. Last month my book was finally mine again and I was free of that atrocious contract and now, after a revision and commissioning a new stunning cover from my cover artist Dawne Dominique, I’ve released it into the world without the publisher’s shackles to imprison it. Fly little bird, fly!
Originally I wrote it be the first of a series set in this quaint, quirky little town I tongue-in-cheek called Spookie. I mean, most of my books before were horror novels and I was basically considered a horror writer, so the town’s name was the tip-of-the-hat to my horror roots. It’d be my first venture into that genre, which I’d always loved. Sherlock Holmes. Murder She Wrote. Detective Frost. Miss Marple. I wrote it and then, quickly after, a second in the series All Things Slip Away for Avalon Books. I got a modest advance up front for each one.
It was 2002. I’d come out of a lengthy publishing dry spell. My seventh paperback novel, Zebra’s The Calling, a ghost story with an ancient Egyptian theme, had come out in 1994. Then they dumped a lot of us mid-list horror writers, me included, saying horror was dying; and for eight years I couldn’t sell another book. Well, living my life got in the way during some of that time. I’d lost my long-time good-paying graphic artist job in 1994 and had to find another one. The pay was a lot less. No good for my budget or my standard of living, which really fell. I went from one of five bad jobs to another over the next six years…each worse and lower paying than the one before.  Each more demanding. I needed to make money. No longer could I live with pie-in-the-sky literary dreams. I had to face reality. So I stopped writing for a while.
When I finally came up for breath and my head was back on straight again I decided to write something different…a mystery. I’d always loved mysteries.  I began writing Scraps of Paper. About a woman, an artist named Jenny, whose husband has been missing for two years, and who’s just learned he’s been dead all that time–a victim of a gone-wrong mugging. She begins a new life and moves to a small town full of fog, quirky townspeople and mysteries. And right away she’s drawn into one of her own when she buys, renovates, a fixer-upper house and uncovers hidden in it scraps of paper written by two young children who once lived there with their mother, and who supposedly drove away thirty years before and were never seen again. The town thought they simply went someone else; began a new life. But Jenny suspects they never left the house; suspects they’d been murdered. Then she finds three graves in the back.
Of course, with her history of a missing husband she develops the overpowering urge to find out what happened to them. The scraps of paper she continues to find makes the bond, the desire, stronger. She forms a friendship with an ex-homicide cop, Frank, and together they try to solve the mystery. Only thing is there’s someone still living in the town that just as desperately doesn’t want them to. Someone who’d kill to keep the murderer’s identity secret.
When done I was proud of it. Thought it was good. I sent it to Avalon Books in New York. They loved it and bought it. I signed the contract, though I didn’t like some of the things in it. But I was desperate. I hadn’t had a book published in so long and, as my mom always said, beggars can’t be choosers.  I sold them the second in the series, hoping it’d help sell the first. They got great reviews. But I came to regret signing both those contracts more as every year went by because I never received one penny more for either book for the next ten years. I know, it sounds impossible. But it happened to me. I’m sure it happened to a lot of their authors. Probably one of the reasons Avalon Books sold themselves lock-stock-and-barrel to Amazon Publishing in June of 2012 and, without their authors’ knowledge or permission, including mine, sold away their authors’ contracts from under them as well.  I guess you live and learn. I was just lucky Scraps of Paper’s contract had run out. I took the book back.
But, all that is in the past, and my revised Scraps of Paper-Revised Author’s Edition is now available, on sale for $3.99 (much better than $26.00), at Amazon Kindle here: http://www.amazon.com/dp/B00B1W4A2K   And I hope people will have the chance to read it this time around and like it.
***
About Kathryn Meyer Griffith...
Since childhood I’ve always been an artist and worked as a graphic designer in the corporate world and for newspapers for twenty-three years before I quit to write full time. I began writing novels at 21, over forty years ago now, and have had seventeen (ten romantic horror, two romantic SF horror, one romantic suspense, one romantic time travel, one historical romance and two murder mysteries) previous novels, two novellas and twelve short stories published from Zebra Books, Leisure Books, Avalon Books, The Wild Rose Press, Damnation Books/Eternal Press and Amazon Kindle Direct.
I’ve been married to Russell for almost thirty-five years; have a son, James, and two grandchildren, Joshua and Caitlyn, and I live in a small quaint town in Illinois called Columbia, which is right across the JB Bridge from St. Louis, Mo. We have three quirky cats, ghost cat Sasha, live cats Cleo and Sasha (Too), and the five of us live happily in an old house in the heart of town. Though I’ve been an artist, and a folk singer in my youth with my brother Jim, writing has always been my greatest passion, my butterfly stage, and I’ll probably write stories until the day I die…or until my memory goes.
                                                                                    
Novels and short stories from Kathryn Meyer Griffith:
Evil Stalks the Night (Leisure, 1984; Damnation Books, 2012)
The Heart of the Rose (Leisure, 1985; Eternal Press Author’s Revised Edition 2010)
Blood Forge (Leisure, 1989; Damnation Books Author’s Revised Edition, 2012)
Vampire Blood (Zebra, 1991; Damnation Books Author’s Revised Edition, 2011)
The Last Vampire (Zebra, 1992; Damnation Books Author’s Revised Edition 2010)
Witches (Zebra, 1993; Damnation Books Author’s Revised Edition 2011)
The Nameless One (short story in 1993 Zebra Anthology Dark Seductions; Damnation Books Author’s Revised Edition, 2011)
The Calling (Zebra, 1994; Damnation Books Author’s Revised Edition, 2011)
All Things Slip Away (Avalon Books Murder Mystery, 2006…Amazon Kindle Direct ebook & paperback 2013)
Egyptian Heart (The Wild Rose Press, 2007; Author’s Revised Edition, Eternal Press 2011) My self-made
Winter’s Journey (The Wild Rose Press, 2008; Author’s Revised Edition, Eternal Press 2011)
You Tube Book Trailer address: http://www.youtube.com/watch?v=FZYCs2DVhHg
The Ice Bridge (The Wild Rose Press, 2008; Author’s Revised Edition, Eternal Press 2011)
Don’t Look Back, Agnes novella & bonus short story: In This House (2008; ghostly romantic short story out; Eternal Press 2012) You Tube Book Trailer: http://www.youtube.com/watch?v=e3q9rZryFMo
BEFORE THE END: A Time of Demons (Damnation Books 2010) 
You Tube self-made Book trailer with original song http://www.youtube.com/watch?v=j0-U9c2Lwfo

The Woman in Crimson (Eternal Press 2010)
You Tube Book Trailer Link: http://www.youtube.com/watch?v=qcRBvDI5G4Y
The Complete Guide to Writing Paranormal Fiction: Volume 1 (I did the Introduction)
4 Spooky Short Stories (Amazon Kindle 2012)
Telling Tales of Terror (I did the chapter on Putting the Occult into your Fiction)
Dinosaur Lake (from Amazon Kindle Direct 2012)
Human No Longer (Amazon Kindle 2013)
Scraps of Paper –Revised Author’s Edition (Avalon Books Murder Mystery, 2003; Amazon Kindle 2013)

My Websites:
http://www.myspace.com/kathrynmeyergriffith (to see all my book trailers with original music by my singer/songwriter brother JS Meyer)


13 January 2013

Book review: Human No Longer by Kathryn Meyer Griffith

Book Summary:
Jenny and Jeff Sanders become victims of a bizarre crime; leaving Jeff dead and Jenny in a temporary coma. She returns to her children. With Jeff’s death she must move back to her childhood home, a haunted farmhouse, in Summer Haven, Florida, where once they destroyed a family of vampires.
Jenny has no appetite. She’s edgy. Her eyes hurt. She thinks it could be trauma or grief. Until one night she can’t resist the night woods or the overpowering urge to drink warm animals’ blood–and accepts the truth. Her attackers were vampires.
Now she’s becoming what she once reviled. She can’t abandon her children but must find a way to live in the human world. At night she hunts, in the day hides what she’s becoming and attempts to fit in.
Then townspeople begin dying. Like years before. With her blackouts, she fears she may be the killer, or is it her vampire attackers? For they've found her and demand she joins them–or her family will die. She resists until they kidnap her children. Then she has to find a way to outwit and ultimately destroy them.


My review:
It has been a while since I read classic horror, and Human No Longer is a classic in its setup, narrative, and progress. There was an ease in the way the story was told; a convincing ease and not a convenient one.
Even as change claimed Jenny, her love for her family superseded all hunger and doubt, it anchored her. As the abyss beckoned Jenny, she fought back with all her might to remain human.
She might be Human No Longer, but she remained humane.
A riveting tale that shouldn't be missed.

5 stars For an excellent read

Buy link:
http://www.amazon.com/Human-No-Longer-ebook/dp/B00AU50VD6

16 June 2012

Guest blog: Why I Wrote Evil Stalks the Night by Kathryn Meyer Griffith


Evil Stalks the Night-Revised Author’s Edition (available also from Amazon.com in print) is special to me for many reasons. It was my first published novel in 1984 and as it comes out again on June 1, 2012, rereleased from Damnation Books for the first time in nearly thirty years, it’ll bring my over forty year writing career full circle. With its publication all fourteen, and one novella, of my old books will be out again for the first time in decades. Sure, it’s been a grueling, tedious two-and- a-half year job rewriting and editing these new versions but I’m thrilled it’s over. I have my babies reborn and out in the world again…and all in e books for the first time ever. Now, perfectionist that I am, I can finally move forward and write new stories.
I’ll start at the very beginning because, though Evil Stalks the Night was my first published novel, it wasn’t my first written one.
That first book was The Heart of the Rose. I began writing it after my only child, James, was born in late 1971. I was staying home with him, no longer going to college, not yet working full time, and was bored out of my skin. I read an historical romance one day I believed was horrible and thought I can do better than that!
So I got out my borrowed typewriter with the keys that stuck, my bottles of White-Out, carbon paper for copies, and started clicking away. I’d tentatively called that first book King’s Witch because it was about a 15th century healer who was falsely believed to be a witch but who was loved by Edward the Fourth. At the library, no computers or Internet back then, I did tedious research into that time in English history: the War of the Roses, the poverty, the civil and political strife between the Red (Lancasters) and White Rose (Yorks); the infamous Earl of Warwick and Edward the Fourth.  Edward’s brother Richard the Third.  A real saga. Well, all that was big back then. I was way out of my league, though. Didn’t know what the heck I was doing. I just wrote page after page, emotions high believing I could create a whole book. So naïve of me. Reading that old version now (a 1985 Leisure Books paperback) I have to laugh. Ironically, like that historical novel I’d thought in 1971 was so bad, it was pretty awful. That archaic language I’d used–all the rage back in the 80’s–sounds so stilted now. Yikes! Yet people, mainly women, had loved it.
And so my writing career began. Over 40 years ago now. Oh my goodness, where has the time gone? Flown away like some wild bird. It took me 12 years to get that first book published as I got sidetracked with a divorce, raising a son, getting a real job and finding the true love of my life and marrying him. Life, as it always seemed to do and still does, got in the way. The manuscript was tossed into a drawer and forgotten for a time.
Then years later I rediscovered it and decided to rewrite it; try again. I bundled up the revised pile of printed copy pages, tucked it into an empty copy paper box and took it to the Post Office. Plastered it with stamps. I sent it everywhere The Writer’s Market of that year said I could. And waited. Months and months and months. In those days it could take up to a year or more to sell a novel, shipping it here and there to publishers, in between revising and rewriting to please any editor that’d make suggestions or comments on how it could be better. Snail mail took forever, too, and was expensive. But eventually, as you shall see, it sold.
Now to Evil Stalks the Night.
In the meantime, as I waited for the mail, I’d written another book. Kind of a fictionalized look back at my childhood in a large (6 brothers and sisters) poor but loving family in the 1950’s and 60’s. I started sending that one out as well. Then one day an editor suggested that since my writing had such a spooky ambiance to it anyway, why didn’t I just turn the story into a horror novel…like Stephen King was doing? Ordinary people under supernatural circumstances. A book like that would sell easily, she said.  
Hmmm. Well, it was worth a try, so I added something scary in the woods in the main character’s childhood past that she had to return to and face in her adult life, using some of my childhood and my young adult life–my heartbreaking divorce, raising my young son alone, my new love–as hers. It was more of a romantic horror when I’d finished, than a horror novel. I retitled it Evil Stalks the Night and began sending it out. That editor was right, it sold quickly to a mass market paperback publisher called Towers Publishing.
But right in the middle of editing Towers went bankrupt and was bought out by another publisher! What terrible luck, I remember brooding. The book was lost somewhere in the stacks of unedited slush in a company undergoing massive changes as the new publisher took over. I had a contract, didn’t know what to do and didn’t know how to break it. Heaven knows, I couldn’t afford a lawyer. My life with a new husband, my son and my minimum-wage assistant billing job was one step above poverty at times. In those days, too, I was so clueless how to deal with the publishing industry.
That was 1983, but luckily that take-over publisher was Leisure Books, now also known as Dorchester Publishing. A publisher that quickly became huge. Talk about karma.
As often as has happened to me over my writing career, though, fate stepped in and the Tower’s editor, before she left, who’d bought my book told one of Leisure’s editors about it and asked her to give it a read. She believed in it that much.
Out of the blue, in 1984, when I’d completely given up on Evil Stalks the Night, Leisure Books sent me a letter offering to buy it! Then, miracle of miracles, my new editor asked if I had any other ideas or books she could look at. I sent her The Heart of the Rose and, liking it, too, she also bought it in 1985; asking me to sex it up some, so they could release it as an historical bodice-ripper (remember those…the sexy knockoffs of Rosemary Rogers and Kathleen Woodiwiss’s provocative novels?).  It wasn’t a lot of money. A thousand dollar advance each and only 4% royalties on the paperbacks. But in those days the publishers had a huge distribution and thousands and thousands of the paperbacks were printed, sent to bookstores and warehoused. So 4% of all those books over the next couple of years did add up.
Thus my career began. I slowly, and like-pulling-teeth, sold ten more novels and various short stories over the next 25 years–as I was working full time, raising a family and living my hard-scramble life. Some did well, my Leisure and Zebra paperbacks, and some didn’t. Most of them, over the years, eventually went out of print.
And twenty-seven years later, when publisher Kim Richards Gilchrist at Damnation Books contracted my 13th and 14th novels, BEFORE THE END: A Time of Demons, an apocalyptic end-of-days-novel, and The Woman in Crimson, a vampire book, she asked if I’d like to rerelease (with new covers and rewritten, of course–and all in ebooks for the first time ever) my 7 out-of-print paperbacks, including Evil Stalks the Night–I gave her a resounding yes!
Of course, I had to totally rewrite Evil Stalks the Night for the resurrected edition, as well as my other early novels, because I discovered my writing when I was twenty-something had been immature and unpolished; and not having a computer and the Internet had made the original writing so much harder. Also in those days, editors told an author what to change and the writer only saw the manuscript once to final proof it.  There were so many mistakes in those early books. Typos. Grammar. Lost plot and detail threads. In the rewrite I also decided to keep the time frame (1960-1984) the same.  The book’s essence would have lost too much if I’d updated it.
As I finished the final editing I couldn’t help but reminisce about all the life changes I’ve had since I’d first began writing it so many years ago. Though it was actually published in 1984, I’d started writing it many years before; closer to 1978 or 1979. I’m as old as my Grandmother Fehrt, my mother’s mother and who the grandmother in the story was loosely based on, was back then. While I was first writing it so long ago, I was a young married woman with a small child holding down my first real job and trying to do it all. Now…my Grandmother, mother and father have all passed to the other side. Many other family and friends I’ve left behind, too. I miss them all, especially my mom and dad. It’s strange how revising my old books reminded me of certain times of my life. Some of the memories I hid from and some of them made me laugh or cry. This book, though, is the most autobiographical of all my novels as it contains details of my childhood, my devastating divorce, and what my life was like when I first met my second husband, Russell, who’s turned out to be my true love. We’ve been happily married for thirty-four years and counting. Ah, but how quickly the years have clicked by. Too quickly. I want to reach out, at times, and stop time. I want more. I have so much more life to live and many more stories to write.
So Evil Stalks the Night-Revised Author’s Edition republished by Damnation Books/Eternal Press will be out again for the first time in nearly thirty years on June 1, 2012, and I hope it’s a better book than it was in 1984. It should be…I’ve had over thirty more years of life and experiences to help make it so. 

***
About Kathryn Meyer Griffith:
 A writer for over 40 years I’ve had 14 novels, 1 novella and 7 short stories published with Zebra Books, Leisure Books, Avalon Books, the Wild Rose Press, Damnation Books and Eternal Press since 1984. And my romantic end-of-the-world horror novel THE LAST VAMPIRE-Revised Author's Edition was a 2012 EPIC EBOOK AWARDS FINALIST NOMINEE.
My books (all out again from Damnation Books  and Eternal Press ): Evil Stalks the Night, The Heart of the Rose, Blood Forge, Vampire Blood, The Last Vampire, Witches, The Nameless One short story, The Calling, Scraps of Paper, All Things Slip Away, Egyptian Heart, Winter's Journey, The Ice Bridge, Don't Look Back, Agnes novella, In This House short story, BEFORE THE END: A Time of Demons, The Woman in Crimson, The Guide to Writing Paranormal Fiction: Volume 1 (I did the Introduction) ***
You can keep up with me on my Facebook page, my Author’s Den, or my My Space 

14 March 2012

Guest blog: The Story of Vampire Blood by Kathryn Meyer Griffith

This month, author Kathryn Meyer Griffith is sharing with us the story behind Vampire Blood, her release from Damnation Books.
Over to you, Kathryn!

***
The Story of Vampire Blood
Author’s Revised Edition by Kathryn Meyer Griffith
A rerelease of my 1991 Zebra paperback romantic vampire novel

In 1990 or so I’d just got done releasing my first three paperback novels with Leisure Books, a romantic historical (The Heart of the Rose 1985) and two romantic horror books (Evil Stalks the Night, 1984 and Blood Forge, 1989), and because I wasn’t making much money on them, was looking, as most so-called restless young authors were doing, to move up in the publishing industry.
So I wrote snail mail letters to three established authors of the day – Dean Koontz, Stephen King and Peter Straub – asking for a little advice and a little help. What do I do next? I want to be one of the big dogs running in the big races. I want to make the big bucks. Be famous like you. (Ha, ha. I was so naïve in those days!) 
Well, Stephen King and Peter Straub never answered my letters but one rainy fall night I got a phone call from Gerda Koontz (Dean Koontz’s wife) and she said Dean had gotten my letter and wanted me to have a name of a brand new agent who I should call or write to and say I was recommended by him. If I thought it strange that Dean Koontz himself wasn’t actually talking to me I was told by Gerda that he was a shy man and had had a particularly hard couple of months because of family problems (I think it had something to do with his father in a nursing home or something, but can’t exactly recall now) and he’d asked her to call me. She often did that for him, as well as helping him with the business side of his writing career. He (through her…and I got the impression that he was actually nearby telling her what to say the whole time) said I had to have an agent (I didn’t have one) and then he gave me the name of an ambitious one, Lori Perkins, just starting out and his advice on what I should do to advance as a writer.
I do remember being incredibly touched that he, a famous busy novelist that I admired – I loved his Twilight Eyes – would take the time to talk to me, even through his wife. They were both so sweet and we talked for nearly an hour all about writing, books and everything.
I took their advice and contacted that agent and she agreed immediately to represent me on my fourth book, Vampire Blood, no doubt, because I said Dean Koontz had recommended her to me. Name dropper! But Vampire Blood was the reason I’d contacted those famous authors in the first place. I thought it was the best book I’d done so far and wanted it to go to (what I thought at the time) would be a better publisher than Leisure Books, which contracted and hog-tied their writers with a horrible ‘potboiler’ one-size-fits-all ten year contract with low advances and 4% royalties. Yes, I got a whole whopping 14 cents a book in those days, but, I must confess, they did print thousands of paperbacks each run and had a huge distribution area.  I thought I could do a lot better. Anyway, Lori Perkins wanted me to send her the book and she did like it and eventually sold it, and then three others zip-zip-zip right after, to Zebra Books (now known more as Kensington Publishing) at 6% royalties and double the advances I was used to getting. They slapped a sexy blond vampire with a low dress on the cover and a hazy theater behind her. Lovely colors. I thought it was an eye-catching cover. I was so happy. I thought I’d made it! Again, so naïve.
Vampire Blood. A little story about a family of vicious killing vampires who settle in a small Florida town called Summer Haven and end up buying and fixing up an old theater palace to run, and pluck their victims from, and a divorced, down-on-her-luck ex-novelist and her worn-out father, who along with friends, help thwart them.
Now to how and why I wrote it.
My husband and I lived in this small Illinois town, Cahokia, at the time and there was the neatest little hole-in-the-wall theater in a nearby shopping center we used to go to all the time…run by a family of a sweet man, Terry, and his wife, Ann, and sometimes their three children, two teenage boys and a girl named Irene.  Such a friendly, but odd couple. The run-down theater was their whole world it seemed. The kids helped take in the tickets, pop the popcorn and sell the candy snacks.
Now the minute Terry and Ann found out, in one of our earliest conversations, that I was a published novelist they were my greatest fans. Terry went right out and bought all three of my books and they all read them. Terry always thought they’d make great movies. Next time my husband and I went to the little theater Terry and Ann greeted us like old friends, so delighted to see us, and refused to take a dime from us for anything. We got in free whenever we went from then on. Now in those days my husband, my son, James, and I were pretty broke. I worked as a graphic designer at a big brokerage firm in downtown St. Louis (across the Poplar Bridge from our Illinois town) but my husband was in between jobs. We lived on a shoestring. Hard times. So I always was so tickled that we could get into the local movies for free. We went a lot, too, as we loved movies, especially science fiction and horror films.
One night I was watching Terry and Ann and their joy in running that little theater, with the kids bustling around doing their jobs, and I got the idea for Vampire Blood. Just like that! Use them and the theater as a backdrop for a vampire novel. Hey, wouldn’t it be neat, I off-handedly mentioned to Terry one night, if I wrote a book about a family of vampires that was trying to pass as a real human family, the man and woman wanting so badly to fit in and lead a normal life for a while, renovating and then running a theater together…but the kids are wild and, as kids always do, make trouble for them in the town…killing people? Terry loved the idea and I asked him if it’d be all right to use him and his family as a template for the vampires. He was thrilled to be part of anything to do with my books and said yes. So…I wrote this book about them (sort of), the theater (making it much grander than it was, of course), a small town terrorized by cruel, powerful vampires who can change into wolves at will….and a saddened lonely woman, her brother, and her ex-husband (who she still loves and ultimately ends up with again after he saves her life) who finds herself again, but loses a lot, as well, fighting these vampires. Vampires she doesn’t believe in at first.
I was very happy with the book when it was done and dedicated it to Terry and Ann when it came out in 1991. Terry and Ann were thrilled, too.
So Vampire Blood came out and did very well for me, second only to my Zebra 1993 Witches. As the years went by it went out of print and when, twenty years later, Kim Richards at Damnation Books contracted my 13th and 14th novels, BEFORE THE END: A Time of Demons and The Woman in Crimson, she asked if I’d like to rerelease (with new covers and rewritten, of course) my 7 out-of-print Leisure and Zebra paperbacks – and I said a resounding yes!
So…here it is…Vampire Blood…twenty years later, alive again and better, I believe,  than the original because my writing then was done on an electric typewriter, with gobs of White-Out and carbon paper (I couldn’t afford copies), using snail mail; all of which didn’t lend itself to much rewriting. And in those days, editors told an author what to change and then the writer only saw the manuscript once to final proof it. Who knew what those sneaky editors were slipping in inbetween and before the final book was in an author’s greedy little hands. Hey, and I was working full time, raising a son, living a life and caring for my big extended family in one way or another, too. Busy, exciting, loving, happy and sad times.
For this new version, Damnation Book’s cover artist Dawné Dominique made me an astonishingly intriguing cover of a lovely vampire (Irene the youngest vampire who turns out to be the most brutal and ancient in the end)…but, thank goodness, without the low sexy top. And my DB editor, April Duncan, helped me make it a better novel.
A lot has happened to me and my family in these twenty years, as well. Both my parents, and my beloved maternal grandmother, the storyteller of her generation, have since passed away. Many people we used to know have. Old boyfriends, old friends and relatives. I miss them all! I no longer have that agent; she went on to bigger advances and bigger writers.  I lost my good job at the brokerage firm, bumped around in lesser jobs for years, always writing in my spare time, and now, at long last, write full time while my husband works way too hard in a machine shop to support us.
Rewriting the book brought back so many good memories…and tears over those no longer here. The theater closed sixteen years ago, the owner believing it’d served its purpose and used up its time. Terry and Ann, heartbroken, were never the same. They had other jobs, none they truly cared about.  Ann is still with us, but Terry died a few years ago, I heard from someone. We lost contact once they stopped running the theater and we moved from Cahokia to a nicer town miles away.
But I’ll never forget those early days and the stories that came with them. Days of high hopes and far distance future dreams…some of which have come true and some which haven’t. I’ve never made the big bucks, never gotten truly famous, but now, at long last and to my great delight, all twelve of my older books, from Leisure, Zebra, and The Wild Rose Press are being rewritten and reissued from Damnation Books and Eternal Press between June 2010 and July 2012. Better than ever after I’d rewritten them. I have plans to write more books and short stories, too, when they’re done. Most importantly, I’m living a good life with a husband I adore and brothers and sisters I love. Writing the stories I was born to write and happy I am. I have my memories. All in all, I’m a lucky, lucky woman.
So, all you writers out there…never give up and never stop writing!
Thank you!
                                                                ***
Kathryn Meyer Griffith has been writing for nearly forty years and has published 14 novels and 7 short stories since 1984 with Zebra Books, Leisure Books, Avalon Books, The Wild Rose Press, Damnation Books and Eternal Press in the horror, romantic paranormal, suspense and murder mystery genres… and all 12 of her old books, see below, (and two new ones) are being brought out again between June 2010 and July 2012 from DAMNATION BOOKS www.damnationbooks.com and ETERNAL PRESS www.eternalpress.biz again in print – and all in  e-books for the first time ever! Learn more about her at www.myspace.com/kathrynmeyergriffith or  www.bebo.com/kathrynmeyergriffith or  www.authorsden.com/kathrynmeyergriffith or www.bebo.com/kathrynmeyergriffith and http://www.facebook.com/#!/profile.php?id=1019954486 .
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Here’s a list of all my published novels and short stories:
Evil Stalks the Night (Leisure,1984; Damnation Books, July 2012)
The Heart of the Rose (Leisure,1985)
Blood Forge (Leisure,1989; Damnation Books, February 2012)
Vampire Blood (Zebra, 1991; Damnation Books, July 2011)
The Last Vampire (Zebra, 1992; Damnation Books, October 2010)
Witches (Zebra, 1993; Damnation Books, April 2011)
The Nameless One (short story in 1993 Zebra Anthology Dark Seductions;
  Damnation Books, February 2011)
The Calling (Zebra, 1994; Damnation Books, October 2011)
Scraps of Paper (Avalon Books Murder Mystery, 2003)
All Things Slip Away (Avalon Books Murder Mystery, 2006)
Egyptian Heart (The Wild Rose Press, 2007...out again from Eternal Press in
  August 2011)
Winter's Journey (The Wild Rose Press, 2008...out again from Eternal Press in
  September 2011)
The Ice Bridge (The Wild Rose Press, 2008...out again from Eternal Press in November 2011)
Don't Look Back short story (2008...out again from Eternal Press in 2011)
In This House (short story 2008...out again from Eternal Press in 2011)
BEFORE THE END: A Time of Demons (2010)
The Woman in Crimson (2010) ***

17 February 2012

Guest blog: The story behind Egyptian Heart by Kathryn Meyer Griffith

Author Kathryn Meyer Griffith shares with us the back-story of Egyptian Heart an some other tidbits.
Over to you Kathryn :-D
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Let me start with this: I have always loved ancient Egyptian stories since I was a child. I remember I wrote one of my first school papers at around eleven years old in pencil on the ancient Egyptians after dragging home an armful of musty smelling books from the library. I don’t recall exactly why I loved this particular time period and the people that lived in it but it might have had something to do with the movies The Ten Commandments (I was raised a Catholic), the horror mummy movies of the 1960’s and the early TV shows on Nefertiti and Cleopatra. I just had this affinity for the period.
It was February 1994 (I noted it on the outside of the manila folder where I keep a running book history on each novel) when I began Egyptian Heart. Originally I called it The Cursed Scarab. Later, I retitled it Egyptian Heart because I wanted it to more reflect the romance tale it had become.
I still had my agent, Lori Perkins, who’d sold four earlier novels for me to Zebra Books (Vampire Blood, 1991; The Last Vampire, 1992; Witches, 1993 and The Calling, 1994…after I’d sold my first three novels on my own to Leisure Books: Evil Stalks the Night, 1984: The Heart of the Rose, 1985; Blood Forge,1989) and she’d told me about a new romantic horror line that Silhouette was starting called the Shadows Line. They wanted to tap into the darker romantic paranormal market. Lori said they wanted the kind of story I wrote but with more romance. It was Silhouette after all.  I’d been labeled as a horror writer from the get go, though all my novels blended genres; usually I wrote a romantic horror mixture with dashes of adventure, suspense and sometimes threw in a little history or mystery as well…but in those days the big publishers felt the need (and I think they still do) to squeeze a writer into one narrow slot. So I was a horror writer.
But by 1994 I’d lost my sweet editor at Zebra and a new one took her place...and over the next year he didn’t like anything I wrote for him and later that year Zebra unceremoniously dropped me and my latest book (Predator, a story about a dinosaur in Crater Lake…which never came out but still lingers like some weird ghost book in every computer on the global Internet) only six weeks away from going to the bookstore shelves. I’d begged the new editor not to call it Predator, bad title since there was a popular movie out of that name and it was nothing about a dinosaur, and the cover was awful, an empty boat on a lake…what!!! Having that book – my first ever – dumped like that was a crushing experience, let me tell you. I had a stack of finished, printed covers and had already done my final edits! I got to keep my advance but the book was officially dead. The new editor-that-didn’t-like-my-writing explained: “No one wants to read a book about a dinosaur.” And six months later Jurassic Park came out! The book is still sitting in a drawer somewhere and perhaps one day I’ll resurrect and finish it as well).
At that point, my agent wanted me to branch out so I wrote two manuscripts for the Silhouette Shadows Line or tried to.  Egyptian Heart and Shadow Road (a romantic suspense about a woman truck driver driving a dangerous wintry route with a murderer on her tail, and a hitchhiker in her cab that she feels she’s falling in love with…and fears, at times, he’s the killer; which later I retitled and sold as Winter’s Journey). To make a long story short, Silhouette Shadows turned both down. Seems I had too much horror in them; not enough sex. I didn’t follow the formula. Sheesh. I’ve never liked depending too much on sex in any of my books or writing a book too predictable. The originality of the novel and the characters make the story for me.
After that my agent dropped me. Ah, the life of a writer.
So, then life (as it has many times in my 39 year writing career), family and job problems, and my other novels (I was into murder mysteries for years and sold two to Avalon Books), got in the way and Egyptian Heart and Shadow Road went into drawer hibernation until, oh, about 2004, when I rediscovered them, dug them out, rewrote them and began trying to sell them again. Sometimes, I’ve found, a book left alone in a dark cubbyhole ages like good wine. (Or sometimes it just turns to vinegar.)
Fast forward three years to 2007 and a new e-book (e-books still being considered a risky new-fangled craze at that time!) publisher called The Wild Rose Press contracted both and eventually a third called The Ice Bridge, a ghostly romantic murder mystery set on Mackinac Island, and published them. Good publisher. They treated me well. But in 2010 when I contracted my two newest novels, Before the End: A Time of Demons and The Woman in Crimson (both romantic horror) my new publisher, Kim Richards Gilchrist at Damnation Books wanted to bring out all my old out-of-print novels again (going back to those early Leisure Books from the 1980’s) in print – and e-books for the first time ever.  Seven old paperbacks. I’d rewrite them all, get new covers and they’d all live again. I was thrilled. And grateful. It would take a lot of work on both our parts but when we were done ALL my old novels would be in print again and in electronic form out in the world. I jumped right in.
Then when my two year contract (I was lucky, e-books still being new, it was only for two years; now most e-book publishers contract for five years or longer) ran out with The Wild Rose Press. I happily switched Egyptian Heart, Winter’s Journey, The Ice Bridge and a novella Don’t Look Back, Agnes to Eternal Press (Damnation Books sister company). Kim Richards, and her husband William, had just brought Realms of Fantasy Magazine into the fold, as well.
So. Egyptian Heart has had a very long history. Simply put, it’s a time travel paranormal romance set in the ancient times of Nefertiti and her heretic Pharaoh Akhenaton.  It’s more romance than history, though I did a lot of research in 1994… originally for my 1994 Zebra horror paperback The Calling. I thought: why waste all this hard worked for research on just one novel? So I also used it for Egyptian Heart and an erotic short story, The Nameless One, one that Zebra had placed in their 1994 horror anthology Dark Seductions and now it’s available from Damnation Books.
The new cover for Egyptian Heart by Dawne Dominique is amazingly beautiful and Kim Richards herself was my editor. Thank you both.
So from a child’s love of ancient Egypt to the finished book, it’s been a long journey and goes to show all you writer’s out there that, yes, persistence does sometimes win out.  And a good book never dies. It just ages like wine in a dark drawer.
I hope you’ll give Egyptian Heart a look and a read. The best way to describe it is through its blurb and so here it is:  
Maggie Owen is a beautiful, spirited Egyptologist, but lonely. Even being in Egypt on a grant from the college she teaches at to search for an undiscovered necropolis she’s certain lies below the sands beyond the pyramids of Gizah doesn’t give her the happiness she’d hoped it would.
There’s always been and is something missing. Love.
Then her workmen uncover Ramose Nakh-Min’s ancient tomb and an amulet from his sarcophagus hurls her back to 1340 B.C – where she falls hopelessly in love with the man she was destined to be with, noble Ramose, who faithfully serves the heretic Pharaoh Akhenaton and his queen Nefertiti.
She’s fallen into perilous times with civil war threatening Egypt. She’s been mistaken for one of Ramose’s runaway slaves and with her light hair, jinn green eyes and fair skin she doesn’t fit in. Some say she’s magical and evil. Ramose’s favorite, Makere, tries to kill her.
The people, angry the Pharaoh has set his Queen aside and forced them to worship one god are rising up against him.
Maggie’s caught dangerously in the middle.
In the end, desperately in love, will she find a way to stay alive and with Ramose in ancient Egypt–and to make a difference in his world and history?
Because Maggie has finally found love. ***
                           
And thank you for having me on your blog! Kathryn Meyer Griffith


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A word about Kathryn Meyer Griffith, August 2011...
Since childhood I’ve always been an artist and worked as a graphic designer in the corporate world and for newspapers for twenty-three years before I quit to write full time. I began writing novels at 21 and have had fourteen (nine romantic horror, one historical romance and two mysteries) previous novels published from Zebra Books, Leisure Books, Avalon Books, The Wild Rose Press, Damnation Books and Eternal Press.
I’ve been married to Russell for thirty-three years; have a son, James, and two grandchildren, Joshua and Caitlyn, and I live in a small quaint town in Illinois called Columbia, which is right across the JB Bridge from St. Louis, Mo. We have two quirky cats, Sasha and Cleo, and the four of us live happily in an old house in the heart of town. Though I’ve been an artist, and a folk singer in my youth with my brother Jim, writing has always been my greatest passion, my butterfly stage, and I’ll probably write stories until the day I die.
       
Novels and short stories from Kathryn Meyer Griffith:
Evil Stalks the Night (Leisure, 1984; Damnation Books, July 2012)
The Heart of the Rose (Leisure, 1985; Eternal Press Author’s Revised Edition out Nov.7, 2010)
Blood Forge (Leisure, 1989; Damnation Books Author’s Revised Edition out February 2012)
Vampire Blood (Zebra, 1991; Damnation Books Author’s Revised Edition out July 2011)
The Last Vampire (Zebra, 1992; Damnation Books Author’s Revised Edition out October 2010)
Witches (Zebra, 1993; Damnation Books Author’s Revised Edition out April 2011)
The Nameless One (short story in 1993 Zebra Anthology Dark Seductions;
  Damnation Books Author’s Revised Edition out February 2011)
The Calling (Zebra, 1994; Damnation Books Author’s Revised Edition out October 2011)
Scraps of Paper (Avalon Books Murder Mystery, 2003)
All Things Slip Away (Avalon Books Murder Mystery, 2006)
Egyptian Heart (The Wild Rose Press, 2007; Author’s Revised Edition out again from Eternal Press in August 2011)
Winter’s Journey (The Wild Rose Press, 2008; Author’s Revised Edition out again from Eternal Press in September 2011)
The Ice Bridge (The Wild Rose Press, 2008; Author’s Revised Edition out again from Eternal Press in November 2011)
Don’t Look Back, Agnes novella and bonus short story: In This House (2008; ghostly romantic short story out again from Eternal Press in January 2012)
BEFORE THE END: A Time of Demons (Out from Damnation Books June 2010)
The Woman in Crimson (Out from Damnation Books September 2010)

Her Websites:
http://www.myspace.com/kathrynmeyergriffith (to see all my book trailers with original music by my singer/songwriter brother JS Meyer)
http://www.jacketflap.com/K.Griffith
http://www.shoutlife.com/kathrynmeyergriffith
http://www.goodreads.com/profile/kathrynmeyergriffith

E-mail me at rdgriff@htc.net  I love to hear from my readers.